Getting into "a rut" is something that most photographers want to avoid, but for the wildlife photographer, "the rut" is a time we should all look forward to. For us, the rut is that time of year when deer species put on a great show for us.
The rut, if you don't already know, is the portion of year when deer of all sorts begin the mating process. In the eastern US, this time usually begins in late October and peaks by mid November. During this season, the whitetail buck, and the bull elk pay attention to finding and protecting and mating with their females. In this article, I am going to explore the whitetail deer and their behavior during the rut.  I am also going to look at how we might be able to take advantage of this time, as photographers, to produce great images.
First, let me say that this year, is my first year photographing the whitetail seriously.  I have shots of them  that I have taken over the years, but I have not dedicated a great deal of time to finding them and photographing them. In fact, I don't even have a great shot to post in this blog.  I do come from a family of hunters, and so I understand the rudimentary principles behind finding them.  Up until now, I have been satisfied to photograph elk, but  this year, that all changes and "the hunt" begins.  So follow along with me and see if we can't find the whitetail deer.
Perhaps no other wild animal has attracted so much attention than the whitetail deer.  From the hunter's perspective, they provide a healthy steak and a nice rack of antlers to put on the wall in their den.  For others, they are often thought of as pretty, cute or beautiful.  Thus, where we get the term "she has beautiful doe eyes."  For me, I think it is the whole package. From the beauty of the changing colors of their coats, to the powerful, sleek and fast adult buck challenging the rival males.  Yet, on the softer side, the tiny fawn curled up and sleeping in the tall grass is a scene sure to warm even the most hardened soul.
Why is the rut the best time to photograph the whitetail?
The fact is, you can photograph deer at any time of the year, but finding them during other seasons can be more difficult, time consuming and require more stealth.  During the rut, the whitetail male deer, called the buck, is so busy being full of testosterone and sniffing for potential mates, he may just pay us no heed at all.  Which of course, as photographers, is really what we want, right?  We want our subjects to pay no attention to us and simply go about there business.
How am I going to locate the deer?
Well, this is one of the more tricky aspects of photographing whitetail, but my thoughts are simple.  Since I are not hunting the deer with a rifle, I can take advantage of national parks.  Once you find a national park such as the Smokey Mountain National Park or Shenandoah National Park, you can adapt the following strategy.
  • Look for the Deer Lay - a deer lay is a depression made in high grass fields where the deer has been bedding down during the day.  If you see many in a small area then you have tapped into a good location.
  • Look for Converging Game Trails - a game trail is a trail that animals use frequently to get from one location to another.  For example, you might find them leading to a water source.  If you see a lot of game trails, you have a location that deer frequent.
  • Look for Rubs - rubs are are places on trees, where the deer has scraped his antlers. He does this for a variety of reasons. First, to mark territory, next to get all the velvet off his antlers and turn them into weapons, and finally out of sheer aggression during the rut.  If you see a tree tore up that is over 4 inches in diameter, then you probably have a big buck in the area.  
  • Look for Water - use a topographical map or Google Maps to look for water sources near the location you are scouting.
  • Look for Interesting Food Sources - by interesting food sources, I don't mean typical forest food, but rather farmer's corn fields or apple orchards.  Deer are suckers for apples and quite fond of corn as well.  Remember, in National Parks, you can't use decoys or baits to attract animals.  No salt licks or piles of corn, sorry.
  • Comb the Internet - the internet is a good source for information on whitetails.  Look at hunting magazine sites to find out more tidbits on finding deer.  Don't forget to bookmark these sites!
  • If you find the first three bullet points in one spot, then your scouting work is done. You have found them, now get out there and photograph them.
Here is the Rub (pun intended)
The timing of the rut has baffled biologists for many years and for that reason, it can be hit or miss when trying to find the best or peak rut activity. Instead of worrying about moon phases and temperature, I am going to just get out there and see what I see. This year is all about scouting locations and finding the deer. If I get some great shots, then I have succeeded beyond my goals. I think too many hunters and photographers spend too much time planning and not doing. So my advice on this point is to just get out there, find them and photograph them. Maybe you don't find the big buck, and maybe you don't get the shot of two bucks fighting, but any field work is valuable. 
Mark your calendars, because October through November is big buck photography time!
I was contacted today by a young man, let's call him Rick, who wanted to take the time to type out of his busy day, email me, and say he was following me on Instagram. He also wanted to express how much he liked my images. I don't know Rick, and he doesn't really know me, but in a sense, he really does know quite a bit about me.  My images, hopefully, speak volumes about who I am as a person.  If not, I have failed.
One of the reasons I do all of this, is to show my craft to others, not just for bragging rights (yeah we all like to be liked), but so others can get a fraction of the feeling that I felt when I made the image.  I think that is really the photojournalist part of me that wants others to experience my memories.  I believe it was Moose Peterson who made the statement that photographs are memories.     
On another note, a big reason I also create a clean podcast with no obscenities or irreverence, is so folks like Rick can listen and not get hit with the nonsense that bombards us everyday.  The Matt Cuda Photography Podcast, website and related media is now, and will always, be a safe place for families like Rick and his parents.  You can fire up the podcast, blast it on your minivan's Bluetooth, and rest easy knowing it is G rated.  You might get tired of my voice (that's OK) but it will be clean.
Thanks, Rick, you made and old photographer happy today with a simple gesture of good will. 
We have all been there. You are excited to be out of the house and in the wild.  You stand ready to capture the photograph of the elusive critter for which you have been  waiting for the last two hours. Suddenly, with little warning, a bald eagle makes a sharp turn, his wings spread to make the perfect dorsal shot.  Without hesitation, you lift your camera, lock and and fire a burst.
Later that evening, you import your images, and open them in Lightroom.  You quickly scan the images, and there it is, the dorsal shot of the bald eagle, but it doesn't look quite like you remember it or even how it was displayed on the LCD.  How can this be?  What could have happened?
What happened is, you missed the shot!  Sorry folks, but we all do it, and that is why there is more junk posted on your favorite social media then there are sharp, well composed images.
Here is What You Don't Do
Although the temptation to try and fix this out of focus image is heavier than a dead preacher, for the sake of the world, please don't do it!  Instagram is loaded with images that, although were of a great species, are so horribly over-sharpened or the noise reduction so overused, they are smooth and lifeless.  Sometimes I can't even tell what the species is supposed to be.
Here is What you Do
Go ahead and keep the image in your catalog for reference and documentation.  You were there, you found the subject, and that is half of the battle!  A total congratulations on that piece of the puzzle.  Next time, when you go, you can get the shot you wanted and have something incredible and worthy.  That is what makes photography so exciting and rewarding!  It's the thrill of the chase that eventually ends in success.  Don't give up, and keep shooting until you get it right.  That is the real reward!
Maybe I Can Help
I am not stupid enough to tell you that I am the best photographer that ever picked up a camera, and I don't have all the answers, but maybe this FREE video can help you to look at your images with fresh eyes. I discuss what is too much sharpening and how your image should look after importing.  I make mistakes every day and it is through these mistakes that I learn to move forward and better myself.  You can do the same.
TOBACCOVILLE, NC - The dog days of summer are slowly giving way to what will soon be autumn.  This summer has been very hot here in North Carolina, and I have unfortunately been unable to go on very many photography adventures.  Of course, that did not stop me completely (never does).   I did go out a few times this summer, when I got a break in the weather, and so the photographs in this newsletter come from those trips.

I have two exciting prospects for the month of September.  The first, is a new project called "Songbirds in Flight."  This project will involve, hopefully, spectacular images we don't often get to see of northern cardinals, chickadees, sparrows, wrens, woodpeckers and the occasional Titmouse actually frozen in mid-air.  Often we see these birds as static images, perched on branches.  This project will bring us all a little closer to the world in which they live.

The next big event happening this September is "Hawk Watch." For those that don't know, every year, large numbers of hawks, ospreys and falcons make there way from Canada to as far south as South America in a massive migration.  This is an annual event that anyone can participate in.  Contact your local Audubon branch, state park system or check out maps at the Hawk Migration Association.  Although this event rarely produced great photographs, it is a good opportunity to meet others and participate in something to help scientists track and number these migrants.

If you have yet to listen to the Matt Cuda Photography Podcast, I encourage you to go check it out.  Here you can get to know me better and get some behind the scenes insights into my photography and how I make the shots.  If you know someone interested in nature photography, please forward them this email so they can sign up for this newsletter and listen to the podcast.  Only through great folks like you, can we get the word out about all I can offer in both images and training opportunities.


































TOBACCOVILLE, NC - A bumblebee gathering nectar from these beautiful flowers.  The summer is a great time to photograph insects and spiders.


HANGING ROCK STATE PARK, NC -  Beautiful morning light illuminates these two fungi growing in a soft bed of moss.  


HANGING ROCK STATE PARK, NC -  Lower Cascades:   This images uses and advanced technique combining both HDR and panoramic stitching to produce an image which shows tones from the brightest whites to the blackest black.  The result is an image which emphasizes the massive rock walls near this waterfall.


HANGING ROCK STATE PARK, NC - A small cascade running just downstream from Lower Cascades.

I hope you enjoyed this month's images.  It is always my hope that others will be able to experience what I see though my eyes as I travel God's great and magnificent creation.  He is the great painter. All I do is just share his paintings.  


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OK, so this is just my thoughts on the initial specs of the newly released Canon EOS 5D Mark IV. Without one in my possession, I cannot make any definitive reviews, but I can do a bit of armchair quarterbacking. If Canon would like to send me one to test, I would be more than happy to let you know how I actually feel about this camera, but I don't think there is much chance of that.
Chances are, you are a wildlife or nature photographer as you probably wouldn't be reading my blog if you are not. This pre-review is based totally on my perspective as wildlife and nature photographer and based on my twenty years experience as a photographer.


The Specs and How They Relate to the Wildlife Photographer
  • 30.4 Megapixel Full Frame CMOS Sensor -  What I see here is honestly quite a big leap in resolution over the Mark III.  Although you can take great images with resolution down to 8 megapixels, the more resolution that your sensor supports, the easier it is to have more cropping options in post production.  You will be able to crop those birds in flight much easier with this sensor.  Essentially it gives us a digital zoom.  I give this feature a thumbs up for wildlife photographers.
  • DIGIC 6+ Image Processor - Essentially just an upgrade to the processing power of this camera.  Does it help the wildlife photographer?  I think any boost in speed will help the autofocus system and write speeds to the cards.  I give this feature a thumbs up for wildlife photographers
  • 3.2" 1.62m-Dot Touchscreen LCD  Monitor - Finally, the touchscreen monitor is making its way across the entire Canon lineup.  This I see as a welcome feature for any photographer, so yeah, thumbs up on this.
  • 7 fps for up to 21 frames in Raw Format Continuous Shooting - We pick up another frame per second on this Camera compared to its predecessor.  The Mark IV is now able to effectively play in the birds in flight space.  I would have liked to have seen it go to 8 frames per second as this is my personal cut-off for getting the best wing positions, but still a welcome attempt.  I give this a reluctant thumbs up for the effort.  I feel like they could have taken it to 8fps.
  • 4K Video Recording M-JPEG up to 30 Frames per Second - I have to be honest, I am not a big video/cinema guy, but this is certainly a welcome upgrade and I think one that Canon had to make to compete with Sony.  I give this feature a thumbs up.
  • ISO 100-32000 (Expandable 50-102400) - Here we see another incremental change in the ISO tolerances  of the Mark IV.  I think this was expected and will offer the wildlife photographer better opportunities in lower light conditions to capture better running and flight shots.  I give this is a thumbs up, but a tentative thumbs up.  Less than 1 stop added here.
  • Dual Pixel RAW - I think this is one of the most compelling upgrades to this camera.  Essentially this feature, when enabled, takes two 30 megapixel images at two different pixels allowing the photographer to select a slightly different focus shift.  I see this as a huge help when shooting in controlled conditions such as captive animals and special events.  The ability to correct focus slightly when shooting raptor portraits, for example, could make the difference between an out of focus shot and a keeper.  Time will tell whether this feature actually works well or not.  I can also see this as a great benefit to macro, hand held, shooting.  It can be a real challenge to get a sharp shot using this technique.  Bear in mind that the frame rate decreases when using this feature.  You can no longer shoot at 7fps.
  • 61 AF Points with 41 Cross Type - Yep, more points means more coverage for placement of the focus point on the subject.  Another incremental change that was expected and welcome.  I give this feature a thumbs up.
  • AF possible with all 61 AF Points at f8 - Another great feature for the wildlife photographer.  With most of the newer Canon cameras I can now add a 1.4x teleconverter to my 5.6 lenses and still use autofocus on any point.  This is a huge advantage when shooting skittish animals that require the extra reach.  I see this as even more important on a full frame sensor because we will no doubt have the teleconverter in use more often.  I give this feature a big thumbs up!
Conclusion
The Canon 5D Mark IV is a serious contender for the nature and wildlife photographer who can afford the $3,500 price tag.  I am hesitant to compare the camera with it's larger and more robust brother the Canon 1DX II.  Some have suggested that it uses the same AF system as the 1DX II.  This is the same song and dance we have heard from Canon, and others, every time a new camera comes out.  It has been my experience that this simply is not true.  The 1 Series has proven time and time again to outperform the midrange cameras in autofocus.  

If you don't need the video capabilities, I would look at buying a used Canon 1DX.  You can pick one of these up for about the same price used and will have the peace of mind that you are buying Canon's top of the line camera.  You will never wonder if you could have done better.  Time will tell as to whether this camera will meet all the needs of the serious nature and wildlife photographer.

If you are a landscape or macro photographer, I think this camera is hard to beat.  The large sensor will give you great details for making larger prints, and will help in bringing out the subtleties in your scenics. Honestly though, the Canon 5Dsr will probably give you more bang for your buck in this space.    
What I am really excited about is not the Canon 5D Mark IV per say, but rather, whenever a new Canon camera comes out, the older models, on the used market, drop their prices.  This makes the used market a great way to pick up an older camera at a fraction of the price it once was.

If you would like to purchase the Canon 5D Mark IV, please use my affiliate links below.  It doesn't cost you any extra, but will help fund this website so I can provide you with the best reviews and content.
Before you get all excited about going to an Atlanta Hawk's game, let me stop you right now. Sorry, but I am talking about the real hawks! Next month, September 2016, we are going to have a huge north to south migration in North America.
If you live on the west coast, be prepared to primarily see sharp-shinned hawks, coopers hawks and red-tailed hawks. They will take a migration route down the California coast line and end in Mexico.  On the east coast, we have a little different mix, but the north/south migration ends for the most part in Mexico and Central America.  Migration can continue down into South America.  The hawks will migrate from Canada down several corridors in the east.  The species you are looking for are primarily sharp-shinned, broad-tailed and red-tailed hawks.  For more information and established hawk watch sites, you can go to the Hawk Migration Association Web Site
How Can you View Them?
Fortunately, much of the work has already been done for us to figure out where to go and folks have even built platforms to view the hawks as they migrate.  On the east coast, one of the most famous areas to view hawks is at Hawk Mountain, but watching locations exist throughout the United States.  Here in the Piedmont of North Carolina, we go to a location called Pilot Mountain State Park to count and view the hawks as they come through.


How Can I Photograph Them?
Well, this is hit and miss really unless you want to use an owl decoy (often looked down on).  You can sometimes get photographs of large formations of hawks soaring above your viewing platform. Look for opportunities for sweeping images of hawk silhouettes or even detailed flock shots.  You may also from time to time see a hawk perched nearby, but this is hit or miss again.  The real value, I think, is getting to get out of the house and talk to others and experience the migration with like minded individuals.  In other words it is more of a meet and greet event vs a photography only event.  
If you do decide to try and photograph the hawks, consider morning and evening to try to capture the silhouettes and these times give you much less harsh lighting.  Bring a long lens.  Preferably something in the 500 to 600 mm range and just wait it out. 
If you want to come and chat with me, I will be at Pilot Mountain State Park one or two Saturdays.  Email me at mattcuda@gmail.com to find out more specific times I will be going.  See you there!
I must say that first, I can't take the credit for the inspiration of this blog entry, but I can tell you this is something I have thought about many times and even mentioned in a podcast episode not too long ago.
While reading Scott Bourne's book "72 Essays on Photography", he brought home a point which I think bears repeating. His point in one of his essays entitled "Photographic Religions: The Religion of Low Light", is that low light doesn't mean good light. From my perspective, we as photographers are always looking for good light.  A camera capable of handling higher ISOs with less noise and better image quality is at best a double edged sword in my estimation.  Let's look at what it means to take a photograph in low light.
Taking a camera in flat, low light is pretty much going to give your wildlife images a fairly boring look.  I say this, because blue light is bad light for birds feathers, and animal's fur and hair.  As soon as the sun crests the horizon, now we have some light we can work with.  For this light, we really don't need more than 800 ISO.  Just about any camera, even my old 1D Mark II, can handle this light.  So what's all the buzz about low light?
Scenario #1 - Birds on the Beach, First Light
OK, so the sun just over the horizon, and I am shooting with the sun at my back, illuminating the bird.  In this scenario, I can shoot at 200-400 ISO with a 5.6 aperture and still be at 1/1000th of a second.  This is plenty of light quantity and light quality to make the shot without using ISO 4 billion. No need to shoot at 6400 ISO here.


Scenario #2 - Elk in Shadow, Early Morning
First, I want you to think about this scenario deeply before reading anymore.  So what was your conclusion?  Well, first we have blue light and probably not even enough light to bring out details in the coat of the elk.  So what are you doing shooting the scene?  Now for some of you, it could just be a documentary shot and for you, OK, I get your point at wanting more ISO, but if you want to make great images, I don't think you should make the shot here unless the light levels and quality of light are favorable for good lighting.  This of course is a judgement call and not all shots are created equal. In my mind, you don't need more gain on your sensor, you need better and stronger light.
I am not saying you categorically should never take the shot, but I guarantee you, that it will not make your favorite shots of the year.  I often take these types of documentary shots, but they are never my favorite.  Note that I had to play around with the shot below quite a bit in LightRoom just to get this good on the lighting.  Having a higher ISO would just increase the gain of my sensor, not the quality of light.


Scenario #3 - Mourning Dove on Bright, overcast Days
Now we are talking about something totally different.  The sky has become this massive soft box full of soft, beautiful light.  This lighting is something I personally look for in mammal and bird photography.  Bear in mind that it is much different from beautiful, directional morning and evening light, but it is great light none the less.  Again, I really don't need a big boost in ISO.  I can shoot at ISO 400-1600 all day long without any really issues.  Honestly, I can shoot lower ISO than that if I am working with stationary subjects or panning.


So, in conclusion, in wildlife photography and other types of photography, low light performance might not be much of an issue for you after all.  Yes, I have been places where I am using fill flash and need a higher ISO for the ambient portion of the exposure, but this is an exception.  And, yes, some genres such as concert photography, astro-photography, and to a lesser degree landscape photography can benefit from better ISO performance, but for the most part, we want good quantity of light and good quality of light for great wildlife photography. 
 Just look at some of the greats like Moose Peterson and Scott Bourne. These guys have been shooting at ISOs around 100-200 for many many years and regularly produce good images. Note that I am not saying you should never buy a camera will great ISO performance, but what I am saying is don't think higher ISO performance is going to make you a great photographer. Great lighting and composition will make you a great photographer.