Showing posts with label camera. Show all posts
Showing posts with label camera. Show all posts
This blog entry is the third and final review on the Sony a7 III with the MC-11 adapter.  Read to the conclusion for a surprise ending.

The testing continued on the a7 III by taking the camera to the Greensboro Science Center in Greensboro, NC.  The local chapter of the CNPA (Carolina Nature Photographers Association) had an outing at this location, so why not end the testing at this location and later shooting songbirds.

Without a doubt this series, with the exception of the Canon 7D Mark II, has been the largest review on gear I have ever undertaken.  Thousands of images, hours of post processing, and wading through all my logical as well as illogical conclusions were all part of the process.  

Arriving at the Greensboro Science Center, we had a brief time of socializing in front of the building and then we were whisked off by our guides to photograph the animals.  The Science Center is not a huge facility, but they do have some interesting animals that you might not find in other locations.  One animal they have is the maned wolf.  This wolf is a solitary wolf found in South America.  He eats small rodents and even vegetation as part of his diet.  They are also in a large enclosure which means I can test different modes and techniques without my subject running off.

I started out photographing this animal using the single point expand autofocus option with lock-on, just as I had before.  However, I noticed that with the maned wolf, the autofocus wanted to grab focus on the nose of the wolf.  It is important that you use a single point when photographing animals with long noses.  This is how I would have photographed them when using my Canon 7D II, but I wanted to see just how smart the camera was.  Note that according to Sigma customer service, animal eye detect is not fully supported with the MC-11.  Just with any camera, it really comes down to knowing which autofocus mode to use for a given situation.  Below is an image I took of the maned wolf.

Maned Wolf - Sony a7 II, Sigma 150-600C, MC-11, 600 mm, ISO 2000, 1/200th
Here, lock-on mode worked.  I think mainly this was due to the eye being more prominent and easy for the lock on to follow. The nose being off to the left slightly also helped.

A few days later, I was back to photographing songbirds and that is where I will end the testing.  By now in the testing, I was really getting the hang of all the button locations and quirks of using the Sony.  Below is an image of a mourning dove using single point expand without lock-on.

Mourning Dove Before a Storm - Sony a7 III, Sigma 150-600C, 600 mm, ISO 1600, 1/400th

So, I hope this testing was helpful to you in some way.  I can tell you, that for me, it was fun and interesting to test out this fairly new beast, but I still have one question to answer.  Would I keep it? Wow, that is is a big question isn't it, and the answer for me was not an obvious one.  I wish I had a clear answer on it based on the testing, but one day I would say I was keeping it and the next day I wanted to return it.  

In the end, I had to look at my findings from a completely logical perspective. I couldn't base a decision on emotion or some reviewer online. So, in the end I decided to keep it and here is why:


  1. Canon offers no full frame camera at this price point with so many features, period!
  2. I can adequately use my Sigma 150-600mm lens via the MC-11.  It isn't perfect, but it will work good enough
  3. Focus peaking is a feature I will use all the time
  4. Great image quality, but not amazing
  5. 4K Video - I find myself dabbling in this more every day
  6. In body image stabilization
  7. Lock-on mode is awesome for moving subjects
  8. Animal eye detect with Sony lenses
  9. Silent shutter (do I need to say why I like this)
  10. Great low light performance

Is it as great as people say it is online?  No, it isn't.  Is it better than anything else at this price point?  Yes, it is and that is the bottom line isn't it?  If money was no object, I would have an a9 or a Canon 1DX Mark II.  It comes down to a personal decision based on what your needs are.  I have my own needs, just as you do.  I needed a full frame camera that can fill in the gaps in the Canon 7D Mark II.  It needed to have great low light performance at the least, since my Canon does not.

It is also important to note that I have no plans to abandon my Canon gear.  I have a great deal of time and money tied up in Canon products and I still think the Canon 7D Mark II has great image quality and the fact it is APS-C gives me the extra reach I need in many situations.  For the situations that my 7D II can't handle, I get out the Sony.  It is really that simple!  Even if I were to switch completely to Sony it would be at least two years until that happens.  My experiences with this camera will help mold that decision.


Again, I hope you enjoyed this series on the Sony a7 III.  Now, get out there and enjoy nature.









There are primarily two camera companies who have been embedded in the greater NYC area since practically I was born.  They are B&H and Adorama.  The latter company being the topic of this discussion.

I have used Adorama from time to time over the years, and really haven't had any issues to speak.  This experience or review is not really about how bad Adorama is, it is about its business model and customer service. That is why I choose not to use them anymore.  It is a personal decision based solely on my demanding needs as a professional.

Recently, I acquired a Sony A7 III to act as a test camera, which will help me decide if I want to give Sony a second look or just stick with Canon.  Realizing I would need a Sigma MC-11 adapter, I ordered one from Adorama.. They seemed to be the only one who had one in stock at the time.  Upon placing the order, I immediately realized that it was shipping USPS.  That was strike one.  Shipping sensitive electronics through USPS to a professional is risky at best.

On July 5, I received a notification from USPS that they could not find my address.  I called the local USPS office and they said they already sent it back to Adorama.  So, I immediately contacted Adorama to see if they could send me another one out. They could clearly see what happened when viewing the tracking number.  They could see it was a "no-fault" kind of situation.  No, they simply could not bend the policy.  I would have to wait for them to receive it back and then wait two more days for the refund to be issued.  

Again, I am looking at this from a professional's perspective and not from someone who has a ton of time to burn.  I had scheduled a shoot for the weekend, which would now have to be cancelled.  Of course, I turned around and ordered one through Amazon with hopes of getting it quicker.  

So, now it is a waiting game, my shoot cancelled and a weekend ruined because of the USPS and Adorama.  

Understand, I am not saying that Adorama is terrible, but for a professionals needs, you better plan way ahead just in case something goes amiss.  For me, I just can't use a company that can't bend the rules to make a customer happy.  If they had just sent that other one out immediately, they would have made a friend for life and the risk to them would have been minimal. 

That really only leaves B&H, Amazon and KEH with which to do business.  By the way, I really love the customer service at KEH.  It is by far the best customer service for a working pro I have ever used.  KEH doesn't always have the equipment in stock, but when they do, I will always go with them.






In this Episode of Reviews from the Blind, I take a look at the Canon EOS R and if it can be used as a wildlife camera.



I keep hearing many rumors regarding the possible release of the Canon 7D Mark III, but before I speculate as to what I think the new camera might look like on a spec sheet, I want to redirect you to what the Canon CEO explained to us at the beginning of this year.
Our primary management goal this year is to raise our antennas high toward cutting-edge technology. It is on this point where we lag behind other companies. We will open up a research and development center in the U.S.’s Silicon Valley, where we will actively adopt new technology.”
Furthermore, there were other quotes which talked about Canon halting development on some products in order to reevaluate and determine what the next steps were.  I personally believe that the Canon EOS 7D Mark III design and prototyping was halted in order to determine if it was cutting edge enough and what the future might look like for the camera. As far as announcements, I personally feel like we are looking at Q1 of 2019, but who knows, I may be surprised.
Canon EOS 7D Mark II (G) Digital SLR Camera Body {20 M/P}
Canon EOS 7D Mark II - the current flagship APS-C camera offered by Canon

Will it be Mirrorless?

With all the talk about Canon's new mirrorless offerings, one simply has to wonder which camera will be next.  Will the 7D Mark III be the next mirrorless?  Personally, I don't think so.  Since the 7D Mark III is the flagship APS-C camera and utilizes the same autofocus system as the 1 Series cameras, I think it will become mirrorless within the same time frame as the 1 Series bodies do.  They will be the last to go mirrorless.  

What will the Specs Look Like?

We can all sit here and make our predictions and let's be honest it is fun to do that.  So why should I be any different.  In light of the CEO's announcement above, here are my latest predictions.
  • 28 Megapixel Sensor
  • New AF comparable to the 1DX Mark II
  • Autofocus sensor count will not increase or will increase very little
  • 4K video at 60 fps
  • 1080p video at 120p
  • Ability to pull stills out of the 4K video 
  • 14 fps Continuous Shooting
  • Dual Digic 8 processors
  • Touch Screen LCD with touch focus on video
  • Bigger buffer to handle 6 seconds of continuous shooting at 14 fps
  • More cross point AF points
  • Ability to shoot f8 lenses/TC on the entire center cluster
  • ISO 1600 will be the new ISO 800
  • No AA filter - I would love to see this, but I am skeptical. 

Possible Additions

  • Built in wifi
  • CFast card slot(s)
  • 30+ Megapixel Sensor (unlikely but possible)

Conclusion
Personally, I think this will be the last 7D series to include a mirror.  The 7D Mark IV will be mirrorless as well as the 1DX Mark IV.  I think this will be a move that is not only expected by the shooters, but one which Canon has to embrace to continue to be a major player in the marketplace.

The 7D Mark III will not have any features that are earth shaking, but I do think that finally we are are going to see a camera that has had significant enough upgrades to be considered a win by most.  This will be the last flagship body to receive the 4K upgrade and it is needed by many.  Don't look for huge gains in image quality, but expect to see better noise performance and a huge boost to AF speed.  If they remove the AA filter, the image quality will increase also and that could be a huge win for Canon.


I do think this upgrade will be worth moving up from the Canon 7D Mark II for those who are looking to take advantage of the newer features.  I think the AF system alone will be worth the upgrade for wildlife photographers.




________________________________________________

Announcements:
Check out the latest podcast episodes
I need your help to keep producing content! Consider becoming a patron to my work. Funds received from your help, will go toward keeping the infrastructure in place to keep providing free content. As you know, web site hosting, microphones and recording gear are very costly. To find out more about being a patron and how this can benefit you, head out to my Patreon site : https://www.patreon.com/mattcuda
Individual training, and honest and useful portfolio critiques available. Email me at matt.cuda@mattcuda.com
________________________________________________
My Website: http://www.mattcuda.com


Patreon: https://www.patreon.com/mattcuda
Stock Images: https://www.artvisions.com/cuda/

Newsletter
http://www.mattcuda.com/Home/Newsletter

To purchase any of my prints please use the following link:
https://www.artvisions.com/cuda/

You may also contact me directly to purchase prints: matt.cuda@mattcuda.com


 










FORSYTH COUNTY, NC - For many people, a trip to an exotic location to photograph animals is just not economically feasible. For those in this category, I can greatly sympathize with you. But do not dismay, there are some very nice zoos and rehab centers throughout the United States to help you in your quest to photograph exotic animals.

What Zoo is Best
There are approximately 500 zoos in the United States, but be careful. Not all these zoos are created equal. It is important to check these zoos out on the internet before you step foot in one of them. I like zoos which are good to their animals by offering them good medical care, food and plenty of places to roam. In North Carolina, the best zoo would be the North Carolina Zoo in Asheboro, NC. If you are looking for a zoo for comparison purposes, this as a gold standard.

Next, make sure the zoo is photographer friendly. Some zoos, like the Atlanta Zoo have stipulations about not using photographs made of "their" animals for commercial purposes. I refuse to give these zoos my money.

Camera Gear
Zoos can offer a unique challenge to the photographer from an equipment perspective. Some zoos, for example, do not allow the use of tripods and so you can only use mono-pods. This is not a deal breaker, but could make some shots nearly impossible. Below is the gear I recommend and how to use each piece. There are links scattered throughout to show examples.

  • DSLR or comparable mirrorless camera - The important consideration here is that the camera has interchangeable lenses and has a megapixel count over 10mp. If you only have a 300mm lens, I recommend the APS-C sensor size. An example is the Canon EOS 7D Mark II or on the mirrorless side the Sony A6500.
  • Medium Telephoto Lens (200 - 300mm range) - it is crucial to at least have this much glass in order to frame the subject in creative ways. In some cases you will be able to fill the frame, but with subjects greater than 20 feet away, you will need to step up. The Tamron 70-300 SP VC is a good, inexpensive lens in this category.
  • Super Telephoto Lens (400 - 800mm) - For zoos and just about any wildlife, I like versatile glass and for me that is the Sigma 150-600 C or Sports version. This covers just about every scenario during a zoo visit. I can shoot shots of small songbirds in the aviary all the way up to tight portraits of a black bear.
  • Macro Lens (100mm to 180mm) - although not a must, having a macro lens will allow you to capture shots of small frogs and reptiles. Furthermore, you can get close shots of the flowers which often decorate the entrances and pathways to the zoo exhibits.
  • Sturdy Tripod - When you find yourself inside a building trying to shoot through terrarium glass, having a tripod is a must. Even with modern image stabilization, there are times you simply cannot get a good, stable shot without one. It really depends on the zoo and how much of the exhibits are indoors. I recommend Manfrotto as a good, inexpensive tripod.
  • Black Rapid Strap or Similar - carrying a 600mm lens through miles of zoo can be tough on the old shoulders and back. This strap will make it much easier to shift the burden a bit from your shoulders. It also allows the photographer to easily put the camera up to his eye because the camera slides along the strap.
  • Comfortable Pack - find a pack that does not cause your shoulders to hurt too quickly after putting it on. You should be able to walk a good hour without having pain. Check out the Moose Peterson MP-3!
  • Good SD, CF Cards - buy good CF cards! I use SanDisk Extreme 32 Gig cards. They are fast enough for video and are very reliable.
Shot List
Below is a list of shots I have taken or shots I look for on a typical zoo visit. Hopefully they will help you pick shots that you want to take next time.

The Close Portrait - the zoo is the perfect place to get close shots with some real feeling and energy. Some of these shots just do not happen often in the field. Below is a shot of a black bear. In this shot, you feel like you can actually see into his soul. This is the shot that presents itself the most.



Environmental Shot - this can only happen at large zoos where the animals have plenty of place to roam. Look for places where there are no bars or fences in the background. Below is a shot of a Rocky Mountain elk bugling. Honestly, I wouldn't know this was in a zoo, if I hadn't taken it. It has an ear tag, but they do this in wild at times as well.



Animals Interacting - this one is tough, but not impossible at the zoo. Look for animals which are social and interact in large groups. A typical animal with this behavior is the baboon. Below, a mother baboon is keeping a young one in check.



Animals in Action or Showing Gesture - in this scenario, we have a single animal that is doing something unusual. Perhaps it is an elephant running or in the case below, a king eider showing off for the female eiders.




In conclusion, I think you will agree that the zoo can be a great place to enjoy animals, test your gear and learn how to make better images without spending 4,000 dollars on a trip. The beauty is that after all this practice in zoos and rehab centers, you will be ready when you do go on one of those once in a life time trips!


Now get out there and enjoy nature (even at a zoo) !

God Bless,

Matt Cuda


Announcements:
Check out the latest podcast episodes
I need your help to keep producing content! Consider becoming a patron to my work. Funds received from your help, will go toward keeping the infrastructure in place to keep providing free content. As you know, web site hosting, microphones and recording gear are very costly. To find out more about being a patron and how this can benefit you, head out to my Patreon site : https://www.patreon.com/mattcuda
Individual training, and honest and useful portfolio critiques available. Email me at matt.cuda@mattcuda.com

______________________________________________________________________

My Website: http://www.mattcuda.com

Patreon: https://www.patreon.com/mattcuda

Stock Images: https://www.artvisions.com/cuda/

Newsletter
http://www.mattcuda.com/Home/Newsletter

To purchase any of my prints please use the following link:
https://www.artvisions.com/cuda/

You may also contact me directly to purchase prints: matt.cuda@mattcuda.com